Coursework: Print brief research and planning
- an interview with the writer of the programme or cast member
- an article on the popularity of the genre
- a report from 'behind the scenes'
- another approach of your choice.
TV magazine front cover
- A4 portrait size
- Title / masthead
- Selling line (slogan)
- Cover price
- Dateline
- Main cover image and at least two further smaller images related to the content of the magazine
- At least five cover lines
- Three A4 portrait pages (two of the pages can be A3 landscape size to create a double-page spread if you wish)
- Content that is appropriate to the conventions of the genre of magazine being created
- Original copy (at least 400 words) - this means writing your own article
- Each page to use original images as illustrations (the main cover image must not be repeated but the smaller images from the front cover can appear on internal pages)
- Internal pages should reflect the design codes and conventions of the genre of magazine being created
- A clear house style should be used in the presentation of all pages
- A minimum of seven original images should be included in the submission
- All copy should be original and a minimum of 400 words should be submitted - you MUST write this all yourself from scratch
- Work should be presented on pages that are an appropriate size or in proportion to the size of paper used by magazines
Create a blogpost called 'Print brief research and planning' and complete the following tasks to plan and prepare your print work.
1) Research TV listing magazine front cover key conventions. Find at least five examples of TV listings magazine front covers and post them to your blog. This will give you a good idea of the type of magazine you need to produce.
1) The title is always in bold and at the top
1) Plan the content and cover lines for your front cover:
- Title (must be NEW original TV listings magazine you have invented) and Slogan:
- Cover image: Main character
- Main cover story/main flash: Intuition
- Additional cover lines:
- Discover Hidden Gems: Our Top TV Picks Revealed!"
- "TV Tech: The Future of Entertainment Explored"
- "Epic Season Finales – Get Ready for the Drama!"
- "TV Rewind: Nostalgic Journeys through Classic Episodes"
- "TV's Rising Talents: Faces to Watch Out For!"
- "Binge-Worthy Series That'll Keep You Glued"
- Exclusive Interviews with TV's Brightest Stars!"
- Additional two smaller images: Of another character and a significant prop
- Font style / colour scheme, additional design aspects:
- Images of other characters posing
- A tipped over prescription - prop
- A over the should pose of the main character
3) Plan the content for your inside page feature:
- Subject of feature: My main character - Anu
- Headline: From Struggles to success
- Subheading: An inspiring Journey of a trailblazing character in the crime drama industry
- Main image: main character standing alone
- Smaller images (need minimum of four across the three pages) other characters
- Font style / colour scheme, additional design aspects: dark and grey - Helvetian font style
Interview Feature: Breaking Barriers and Redefining Representation with [Rathusa Mohan]
In an industry often dominated by stereotypes and limited opportunities, Rathusa Mohan stands out as a symbol of hope. This South Asian artist is making waves in the world of crime dramas with a passion for conveying real stories and a will to break down barriers. Join us as we delve into Rathusa Mohans's journey, struggles, and triumphs,achievements and how she's reshaping the landscape of representation in Hollywood.
Interviewer: We appreciate you coming along today, Rathusa. Let us begin at the beginning . Why did you choose to pursue a career as an actor, specifically for crime dramas?
Rathusa Mohan: I appreciate being here. I was enthralled with storytelling as a child because of its capacity to elicit feelings and stimulate the mind. I've always been captivated by crime dramas because of their fascinating characters and complex stories. I saw them as a platform to explore social issues and human psychology in a compelling way, and I knew I wanted to be a part of that world.
Interviewer: What obstacles did you have to overcome as a South Asian artist to get recognition in the industry?
Rathusa Mohan: It hasn't been an easy path. Like many other South Asian artists, I had to deal with prejudice and little prospects. It might be depressing to see how little diversity and representation there is in mainstream media. To prove myself and dispel misconceptions about what a South Asian actor could and couldn't do, I had to put in twice as much effort. However, I resisted letting those constraints define me. I became determined to forge my own path but each obstacle has only strengthened my resolve to challenge the status quo.
Interviewer: Could you share your personal experience with mental health and how it links to the crime dramas you work on?
Rathusa Mohan: I have personally encountered the stigma attached to mental health, which is still taboo in many South Asian cultures. I had anxiety and depression as a child, but I felt compelled to conceal my troubles due to the stigma associated with mental illness. But as I started exploring parts in crime dramas, I discovered a chance to address these concerns directly. Crime dramas frequently examine the most dangerous facets of human psychology, such as addiction, trauma, and mental disorders. I've been able to draw on my personal experiences and highlight the significance of my character.
Interviewer: Themes of representation and identity are recurring throughout your work. Could you explain how your cultural upbringing influences the way you play Anu in Intuition ?
Rathusa Mohan: Indeed. My ethnic background is an essential component of who I am and will always have an impact on how I approach work. I use my personal experiences and the experiences of others in my community as a basis for realism when I play Anu . I work diligently to make sure that Anu appears rooted in reality, whether that means delving into the nuances of language or investigating the complexities of ethnic identity. I also break boundaries and dispel stereotypes in order to highlight the richness and variety of South Asian identities.
The interviewer: Last but not least, what guidance would you provide to any budding South Asian artists aiming to make a name for themselves in the entertainment industry?
Rathusa Mohan : Remain loyal to who you are and what you envision, is my piece of advice. Don't allow anyone else to limit your potential or define who you are. Never give up on your dreams; instead, be tenacious and resilient. Embrace a network of mentors, collaborators, and fellow artists who are supportive of your abilities. And never forget that each setback is only another step towards achievement. Have the energy! Keep pushing forward, and you'll eventually break down those barriers and make your mark on the industry.
Rathusa Mohan is paving the way for South Asian representation in crime dramas and other media by working relentlessly and sincerely. As we applaud her accomplishments and appreciate her dedication, we are reminded of the ability of a story to subvert stereotypes and spur social change. As a ray of optimism and promise, Rathusa Mohan shines brilliantly in a world that is ravenous for different voices.
- #South Asian
- # Representation matters
- #Breaking Stigma
Photo shoot
1) Who do you need to photograph for your front cover and inside page images? Remember, you need seven original images across the whole print production.
- Medium close up of all three characters
- Long shot of main character standing alone
- Extreme close up of features like eyes
- Closeup of other characters
3) Plan the mise-en-scene. What costume, props or make-up will you require for your photo shoots?
- Normal teenage clothing like a hoodie or denim with a t-shirt
- Basic makeup
- police tape as prop
- 21/02/24
- In class
- Magazine : VisionVault
- Based in United Kingdom
- TV drama: Intuition
- Tag line: When everyone is against you, trust your intuition.
- Genre: Crime drama
- Streaming service: Netflix
- 10 episodes
- The bus stop - opposite to the the bus stop the friend died at
- In side a building - a building with little human activity and a elevator will communicate the essential elements of a crime drama and create an eerie, uneasy feeling that is vital to the narrative.
- Close ups to communicate facial expressions clearly.
- 360 degree shot with a flashback
- .POV shots will be used when there is a stalking scene
- Tracking shots will used when Anu moves from one location to another.
- Dialogue segments used to convey narrative by means of diegetic sound
- Non diegetic sound - eerie music
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